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Some of his most controversial images depicted saints, the Virgin Mary, and Jesus found in toasters or microwaves, on nude figures, or being defecated on by live birds. His art often dealt with the subject of political power and religion. He often used text, especially newspaper clippings or poetry, particularly in his pieces protesting the Church and the Argentinian government. Ferrari created protest art using collage, photocopying and sculpture in wood, plaster, wire and ceramics. Career Overview įerrari began his career by making small drawings, but primarily did sculptures until 1962, when he began to employ his life-long motif of language and scratchy, calligraphic writing. He died on July 25, 2013, at the age of 92. In 2008, he created the Augusto (his father) and León Ferrari Foundation which keeps the memory of the artist alive. įerrari returned to Argentina in 1991, continuing to make art all the while. During his time in exile, Ferrari explored new forms of art, including mail art, photocopying, lithography, and he even wrote some books.
In 1978 they received word that he had been found dead February 26, 1977. The last letter the Ferrari family received from their son came in February of 1977. However, just after he left, Ferrari's son Ariel, who had decided to stay in Argentina, was kidnapped by the dictatorship. In 1976, Ferrari took his family to Sao Paulo, Brazil, entering into a period of exile, due to threats from the Argentine dictatorship of the time. He began using plastics and objects in 1964, marking the beginning of his collages that he would use for the rest of his career. From 1963 on, Ferrari used words and handwriting heavily in many of his works. 1962 marked Ferrari's first foray into paper and ink artwork. With his return to Argentina, Ferrari began to explore sculpture using different mediums including, wood, plaster, and cement, and, in the 1959, wire. That same year of 1955, he moved back to Buenos Aires. His first major solo exhibition took place in Milan in 1955. Īlmost by chance, he began working with clay and started dedicating substantial time to ceramic artwork in 1954. In 1952, Ferrari moved to Italy with his family because his daughter, Marialí, was fighting tuberculosis and he wanted her to have access to high quality medical care.
He began casually making art during that same year. In 1946, Ferrari married Alicia Barros Castro and the three went on to have three children: Marialí, Pablo, and Ariel.
Ferrari worked as an engineer into his thirties. As a young man, Ferrari studied electrical engineering at the University of Buenos Aires.